Saving Mackenzie Foy From Lolita Land

 

multi pics posed of Mackenzie Foy

Geared up for pre-pubescent Lolita sexy!

Lolita Sucking a Lollypop

Lollypop is a Euphenism for ahem that male part of the anatomy that can be sucked,and licked.

THE WORST ONE OF ALL

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In 1937 Greene was a film reviewer for Night and Day magazine. In a review of the Shirley Temple vehicle Wee Willie Winkie, he wrote:

 "Her admirers – middle-aged men and clergymen – respond to her dubious coquetry, to the sight of her well-shaped and desirable little body, packed with enormous vitality, only because the safety curtain of story and dialogue drops between their intelligence and their desire."

Twentieth Century Fox sued on behalf of Temple, then aged eight, on the grounds that Greene had implied she played deliberately to "a public of licentious old men, ready to enjoy the fine flavour of such an unripe, charming little creature", Cavalcanti wrote.

Wee Willie Winkie Doll

 He added: "Thanks to vigilant, quick-witted friends, Graham was warned that the Americans producing the film had introduced a writ of libel against him, meaning that not only would the backers of Night and Day pay a large fine, but he, Graham himself, faced a prison sentence. The only solution was to find a country without extradition. They chose Mexico and our poor Graham went away very quickly indeed. Very likely Shirley Temple never learned that it was partly thanks to her that, during his exile, Graham Greene wrote one of his best books." : The Power and the Glory
http://www.independent.co.uk/n...The entire article is/was in his biography.

Jon Benet Ramsey

Would she have been sexually assaulted and killed if she 

hadn't been advertised as a Lolita? 

All these children have had their childhood stolen in 

homeopathic doses. Invisible theft. No thief. 

The Perfect Crime - Jean Baudrillard.

Mackenzie Foy- zine in a slip - vintage

Kristen Stewart Panic Room Premiere Age Nine

Stimulus/Response: Slave and Superpet  - John Holt

Excerpted from ESCAPE FROM CHILDHOOD, 1974

Free the Children;They Need Room To Grow

Children have always been owned and controlled by adults

But the family of which most people speak now-Mom,Pop and the kids-is a modern invention. The family of 100 years ago was in turn very different from the European family of 300 years before, when the whole notion of the home and the family as a private institution had not yet been invented. There is much evidence that the modern nuclear family is not only the source of many people's most severe problems but also is breaking down in many ways or changing into new forms. (Holt is thinking genealogically here anticipating Foucault.)

FAMILY: a SOURCE OF VICTIMS

The family was not invented, nor has it evolved, to make children happy or to provide a secure emotional and psychological background to grow up in. Mankind evolved the family to meet a very basic need....to make sure that as many children as possible were born and, once born, physically taken care of until they could take care of themselves.

...But the family was not invented to give people someone to love, or to make them happy,...To the extent that happened, it was extra. (Here we have Foucault's genealogy of the family intersecting with the growth of capitalism which needed healthy workers and consumers.)

Basically the family was and is a tiny kingdom, an absolute monarchy. It is this version of the family that people most heatedly defend. Most people who talk angrily about saving the family or bringing back the virtues of the family do not see it as an instrument of growth and freedom but of dominance and slavery, a miniature dictatorship, sometimes justified by "love," in which the child learns to live under and submit to absolute and unquestionable power. It is a training for slavery. 

What we need is to recreate the extended family. Or rather,  wee need to allow, encourage, and help young people create extended families of their own. There is no reason why the adult friends of a child should be friends of his parents. Parents generally want friends like themselves..

There can be no adequate protection against the abuse of authority, by parents or the state, except to give the victim the right to escape it.

She is NOT a victim of programming

All these Lolitas create the demand for this at a car show in Asia:

Child Exploitation at Car Show in Asia

A little more explicit eh.

How much more explicit try visiting the sex tourist trade there for children

AND

Children Models

POEMS 6-26-19

IM

He toys with me 

I had been thinking

You are a toy he says

So little a tiny toy

I’ll carry you home

I’ll carry you I’ll carry you!
I am a Scorpio! I'm a Scorpio!

When are we going to have sex!

I hear DeLillo’s Eric Packer?

The knife goes in the heart of the bull

Three times and the blood gushes!

Like Fred Astaire he slides 

Fast cutting angled side steps across the floor

An unknowing flamenco.

The furious and stupid 

Virago enters the door.

His performance stops.

But it didn’t quite happen that way.

Untitled

How do I know

If the fish in my brain

Refuse to swim up

To the surface plane?

All glittering scales

Flashing in light

Telling me yes and yes

It will all be right.

IM 

In Robert Wilson’s Opera:

The Life and Times 

Of Sigmund Freud,

I saw you run

Before you were born.

A Mercury of Time,

Now a running Apollo 

Scribbled all over

By drunken Dionysians

With Intentions of Parrhesia

You know nothing about.

Seeing you now confuses

The past which was

The future and this present

Mirroring the past.

Is there a tense somewhere

That they call

Future past or past future

Like the Intentional of the Hopi?

Because her car was laden

With Destiny that came

Crashing across my lifeline

Forcing me to live

In Alterity; waving at her

Drifting farther away,

Until I almost can’t hear her sigh.

It is not the present which influences the future, thou fool, but the future which forms the present. You have it all backward.  Since the future is set, an unfolding of events which will assure that future is fixed and inevitable. CHILDREN OF DUNE  Leto II p. 278 *

Don’t hold your breath

The Buddha says

Breathe through each

Moment of Samsara.

IM

It is better to marry

Said St. Paul,

Than to burn.

I disagree.

It is through burning 

That I see

Your challenge thrown at me:

Turning all those fetishes

Of tattoos on arms thighs and lives

Laboring to burn memories Into flesh.

Bought wounds from Studios of Design

Selling trendy.

The Invisible Man - How Parrhesia Works through Art: The Elusive Role of the Imagination in Truth-Telling Foucault Studies, 2019 Marrigje Paijmans

How Parrhesia Works through Art: The Elusive Role of the Imagination in Truth-Telling

Foucault Studies, 2019

Marrigje Paijmans

It is no measure of health to be well adjusted to a profoundly sick society. ..Krishnamurti

Creation takes place in choked passages" (G. Deleuze) which means for me there's no passage which is unchoked - hence, any creation for which "passage" is taken for granted (especially the one from 'noise to voice' (The Logic of Sense) cannot be creative at all.

I would say prison is a “choked passage.”

Laboratory of Nano-Fascism:  Although this relationship to death was once thought to belong originally to punk, expressed specifically in the funeral sculptures of Joy Division covers such as Closer and Love Will Tear Us Apart, and PIL’s Death Disco, it has been repurposed by Neanderthal capital in order to zombify the world.

Non Conceptual Negativity  Zafer Aracagök

Can we come back to Krishnamurti on this please. " It is no measure of health to be well adjusted to a profoundly sick society." My personal feeling is that if you are not depressed, melancholy or bi polar or schizophrenic you are not paying attention.

This is interesting: “Owen Andree Um, no. The hysterics' *desire* is to continually and question/harangue the Master/authority's position.”

To see the Invisible Man may be to instantly recoil in fear, disgust, horror, side step, turn away from an image covered face to toes with dark prison tattoos. Not a human one wishes to link with.

A live human image that has disintegrated the boundaries, the limits of class, sex, age and race.

AND NON DECORATIVE

An image that is irreplaceable, non-reproducible, non-commodified, non exchangeable or accumulated. You cannot buy it, sell it, hoard it, own it, keep it, display it. A living image that can be destroyed physically, but alive forever in the imaginations of subjects who have allowed themselves to experience the Invisible Man. A digital image existing in Simulated Reality will be as useless as J. Hillis Miller tells you the reading of Heart of Darkness will be if you do not already know it from experience, and if you do you will not need to read it. The image recorded is not to experience the REAL. Only the experience of the real Invisible Man will challenge you with parrhesia, the truth of parrhesia that confronts you in your experience of him. Did it?

Without experiencing the confrontation of parrhesia inherent in his image your imagination cannot transform the work of art that he is, which precludes any change in your mode of being, your lived life, by your experience of him. An image of the human body aligned and defined in great classical beauty resonating with classical Greek sculpture inscribed, desecrated with ugly prison tattoos - some ironically funny and some cliches, but never aesthetic. And so the different levels of episteme through time from ancient Greece to the post modern NOW hit you between the eyes.

 Richard Hambleton- Jumping Shadow       Fight Club?

Foucault’s genealogical method reveals The Invisible Man’s fusion with other works of art signaling parrhesia and challenging us with confrontation and a demand for change, for transformation of ourselves to a different way of seeing, perceiving and being. Only OTHERNESS can accomplish this. Not different. OTHERNESS.

Velasquez: Las Meninas

Manet: Le Dejeuner sur l’herbe / Luncheon on the Grass

Picasso:Les Demoiselles d'Avignon; Guernica

Warhol:Campbell Soup Cans

Jasper Johns:Flags and Destruction of Abstract Expressionism
Kathy Acker: everything
Herman Melville:Moby Dick:Ishmael and Queequeg
Leslie Fiedler:essays (football et al)
Leo Steinberg: art history and essays
Shakespeare: everything

Banksy: Performance Piece Dismaland;wall murals of political parrhesia

Ai WeiWei: Sculptures
Mark Tansey: everything

Marina Abramovic: Performance Art; The Artist Is Present

Luce Irigaray: Speculum of the Other Woman

Roberto Bolano: 2666

Eugene:The Invisible Man 

Herman Melville: Moby Dick: Ishmael and Queequeg (p. 535)

With a wild whimsiness, he now used his coffin for a seachest: and emptying into his canvas bag of clothes, set them in order there. Many spare hours he spent, in carving the lid  with all manner of grotesque figures and drawings; and it seemed that hereby he was striving, in his rude way, to copy  parts of the twisted tattooing on his body. And this tattooing, had been the work of a departed prophet and seer of his island, who, by those hieroglyphic marks, had written out on his body a complete theory of the heavens and the earth, and a mystical treatise on the art of attaining truth; so that Queequeg in his own proper person was a riddle to unfold; a wondrous work in one volume; but whose mysteries not even himself could read though his own live heart beat against them;and these mysteries were therefore destined in the end to moulder away with the living parchment whereon they were inscribed, and so be unsolved to the last. And this thought it must have been which suggested to Ahab that wild exclamation of his, when one morning turning away from surveying poor Queequeg - "Oh, devilish tantalization of the gods!"

IF YOU CANT BE A WORK OF ART, WEAR A WORK OF ART. - OSCAR WILDE

Genealogy of Body Tattoos - Tamati Waka Nene by Gottfried Lindauer (1839-1926), 1890, oil on canvas, 40”x33”, Auckland Art Gallery, New Zealand. 

Beautiful Face.

“The past is never dead. It's not even past.” - William Faulkner

In Robert Wilson's Opera
The Life and Times
Of Sigmund Freud,
I watched you run
Before you were born.
A Mercury of Time,
Now a running Apollo
Scribbled all over
By drunken Dionysians
With intentions of Parrhesia
You know nothing about.
Seeing you now confuses
The past which was
The future and this present
Mirroring the past.
Is there a tense somewhere
That they call
Future past or past future
Like the Intentional of the Hopi?
Because her car was laden
With Destiny that came
Crashing across my lifeline
Forcing me to live
In Alterity; waving at her
Drifting farther away,
Until I almost can't hear her sigh.

It is not the present which influences the future, thou fool, but the future which forms the present. You have it all backward.  Since the future is set, an unfolding of events which will assure that future is fixed and inevitable. CHILDREN OF DUNE  Leto II p. 278 *
___________________________________________________

They aren’t all prison tattoos 

She screamed at me
On Facebook! 

This one and this one

Were done on the outside.

My brother did the cross

He tattooed over!

There are more prisons 

In this world, Horatio

Than are dreamt of in your philosophy
______________________________________________________

The Aral Sea is the future. Since it exists in the present we fail to recognize that it is only
wearing the mask of the present. It is a Debordian spectacle concealing the REAL forming
the present from the future.A radical piece of the future detached and both visible and invisible.

Neil Burger's Divergent

opens with Lake Michigan mirroring the Aral Sea and surrounding areas, the future in the
fantasy movie image of a present Chicago